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[Josh2010 1]

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Opening a set and crossing the social hook point without conveying neediness Once you begin talking to a set of girls, the immediate goal is to reach the social acceptance, or hook, point. A moment comes when the set decides that they enjoy talking to you and that they want to continue talking to you. When this happens, you have successfully opened the set and finished A1. It's easy to tell when this happens because there will be indicators of interest.

THE MEETING LOCATION

Any location in which there is a high probability of meeting women is called a meeting location. While it is possible to meet a beautiful woman virtually anywhere, even on the street, it is more probable to meet her in a public gathering. Meeting locations are gatherings in which people self-organize into 1 small groups of usually two to five friends each.

Examples:

• Restaurants and busy cafes

• Pubs, bars, and nightclubs

• Busy stores, malls, and outdoor festivals

• Parties and get-togethers

The Unconscious Replication Agenda People often publicly assemble to drink, mingle, dance, shop, or eat. While some know they are out specifically to seek a mate, many are unaware that their unconscious mind has imposed a hidden replication agenda upon them. Even though women know these gatherings are chock-full of pestering nice guys, most are unconscious of the fact that, nonetheless, their emotional circuitry has a replication agenda compelling them to actively socialize, such as when women go out "just to dance." This is a perfect example of rationalization at world Attractive Women Are Found in Groups Seldom will you see women of beauty alone in such locations. Many have grown accustomed to the constant threat of nice guys who plague these gatherings. Women learn to band together with trusted friends to help protect them from these everyday public nuisances. A meeting location is said to be target rich if it offers multiple approach opportunities with attractive women in short succession, whereas a location with few such pportunities is said to be target poor. Target-rich environments not only improve your chances of finding and attracting a beautiful woman; they also substantially accelerate your

learning curve by providing more chances to practice your social skills in less time. There's nothing about the Mystery Method that requires clubs or target-rich environments (it works just as well in the grocery store or the coffee shop), but they definitely

make it easier to practice. For this reason, our boot camps (where we

take a small number of guys out to teach them the Venusian arts and

interact with beautiful women in the field) generally take place in

lounges, clubs, and restaurants.

Proactively go to four or five of the very best meeting locations in

your city ahead of time. Go on an off night. Scope them out. Acclimate

and desensitize yourself to the environment in which you will train

and game. Public gatherings are the Venusian artist's dojo.

PROXIMITY

When you are in the field, a shy woman, reluctant even to make eye

contact with you, may find you appealing and, at either a conscious or

unconscious level, reveal her interest via proximity, or nearness.

Typically, if a girl is giving off an IOI through proximity, she will

stand five to eight feet away from you, facing away. Dynamic social

homeostasis brings her within range to observe you and welcome your

possible approach—but prevents her from coming too close.

With proximity, if you open her, she will open receptively,

Have you ever walked into a nightclub and found yourself standing

near a woman you were attracted to, if only to be near her and check

her out more? Maybe instead of approaching her, you ordered a drink

at the bar right next to her. Have you ever been in a store shopping

where it seemed that a woman you had seen earlier stood near you

several times over a short period of time? Her repeated proximity indicates

a potential interest. She may be putting herself near you on

purpose, hoping you might start something, It's also quite possible

that her replication circuitry is placing her near you, even though she

is not consciously aware of what her body is doing, She will still open

receptively. These opportunities occur with more frequency than you

may expect, especially if you are already working a set of girls.

THE THREE-SECOND RULE

Approaching a group of strangers can be uncomfortable in the

short term, but the feeling that persists after you see a beautiful

woman you could have approached but didn't lasts as long and is

equally as uncomfortable. Know your opener ahead of time, even before

you have entered the public gathering. Within three seconds of

spotting a woman you are attracted to, you must open her set. The

approach must be reactionary, and this is what the Venusian artist

trains for. Decide now to train for this, and internalize the Three-

Second Rule. Just walk right up to the set of people that you see and

open them before your approach anxiety exceeds your desire to make

her your girlfriend. At our live programs, we show you how to do this

(in real situations, so you're doing it live) and blow away approach anxiety.

For now, you're just going to have to force yourself through this,

Keep in mind that no one else in the venue knows whom you already

know and don't know. It certainly seems as if you know them—

after all, you entered the venue and walked right up to them, and now

they are enjoying a fun conversation with you. From the perspective of

adjacent sets, it appears you must be a social guy with lots of friends!

As you eventually move from one set to the next, this positive perception

of you continues to grow. You are becoming socially proofed

in the venue. Notice the ease with which sets open up to you when you

have this level of social proof. For this reason, it is important not to be

too selective in choosing your sets early in the night; better to be; in

any set than to get picky and end up alone when you could have been

working the room. You don't always have to have a legitimate target to

enjoy interacting with people.

This really adds a natural spontaneity to your approach. A woman

can usually tell it a mile away when a man is working up the courage

to approach her, which can lower his perceived value. If you follow the

Three-Second Rule, she will feel like you just popped up out of

nowhere. A very nice energy is added to the interaction when following

this rule.

THE THREE-MINUTE EXCEPTION

What if you see a group, and the target you single out is talking to

the waitress? Should you still open within three seconds? No. There

are commonsense exceptions to every rule, and this is one of them. If a

group of people comes into a restaurant and sits down, I'm not going

to go in if I feel there will be an external interrupt coming within the

first three minutes of opening the set. If I don't have three minutes to

work, I can't lock myself into the set. Once I am locked in I can handle

external interruptions like a waitress approaching, because I'll be

locked in by then. However, if she comes when I'm a minute and a half

into the set, it can completely disrupt things.

The disruption can also be internal, or coming from Within the set.

For example, if a target is standing in a line and I can tell she is not go*

ing to stay there for more than a minute, I'm not going to go in at that

point. Instead, I'll hold back and wait for her to sit down. Then I can

go in with confidence that I won't have an interruption during the first

three minutes of my approach.

OPENERS

An opener is a short story or statement used to get a group's attention

and earn their acceptance of your presence. It is not a time to formally

introduce yourself or hit on the hot girl in the set.

Using a direct opener such as, "Wow, you are beautiful; my name is

Glen," may convey confidence, but it also alienates your target's friends

if present. Since women of beauty are rarely found alone, we must engage

the entire group without hitting on the girl prematurely.

For this reason Venusian artists make effective use of an indirect

opener. Here is an indirect opener of mine that opened nearly every I

mixed set I ran it on:

Mystery: Oh my God. Did you guys see the girl fight outside?

Girls: [Cut them off before they speak.]

Mystery: They were fighting over this guy. I talked to him

afterward. His name was Glen, That's a deal-breaker name. Glen. So

they were pulling each other's hair and one of the girls' boobs pops out,

Normally I'm all for seeing a ripe one, but this was a "saggy-baggy

booby"... you know, from National Geographic.

Go immediately into next routine,

You may feel this dialogue won't miraculously make a woman fall for

you, and you are right. It's not designed to. Sure, it's designed to be fun

and appear spontaneous, but the power of this gambit comes from what

it doesn't do. Unlike a typical direct opener, no IOIs are conveyed to the

target. To do so at this time would surely compromise your chances of

survival were you to hit on the married woman with her husband present.

We must discover the group's relationship dynamics before giving

IOIs. This approach will make you appear naturally confident and not

insecurely bold. Notice there is no talk about the fact that you are

presently speaking to them. It is designed to convey personality first.

IN THE VENUE

Bars and clubs are probably not the venues where you plan to find

your future wife. Nevertheless, these are target-rich environments and

thus are perfect for practicing the Game. Here are some tips:

• Don't buy her a drink: As a general rule—but not a dogmatic

one—don't offer to buy drinks for girls. If she asks you to buy

her a drink, turn her down. Although you can break this rule,

it's preferable to get your game so tight that she will be buying

you drinks.

• Be willing to crash and burn every set for the entire night. Do

it for fun with your wing.

• Give your wing two hundred dollars. Then he gives you

twenty dollars every time you approach a set. This game is

very effective,

• Be willing to go out alone if you have to.

• Don't hold your drink in front of your chest like a security

blanket. Hold it low to your hip. Better yet, don't hold one at all.

• Don't try to look "cool" or "tough." You will just look bored

and boring. Instead, be comfortable and friendly.

• Enthusiasm is contagious.

• Smile as you walk around the venue. Guys who don't have success

with women don't smile.

• Once you open a set, stop smiling so much. You don't want to

appear try-hard.

• You ran your opener, but the set didn't hook? Run another one.

Stack your material if for no other reason than to get practice.

Stacking routines is a useful skill in and of itself.

• It usually takes three warm-up approaches to really get in a

talkative personality-conveying groove.

• Avoid noisy areas. If you can't talk, you can't run game. Find the

quietest areas of the club. And avoid the dance floor—it's a trap.

• Arrive early and be friendly with the staff. At midnight,

bounce to another club. This keeps the crowd fresh and gives

you somewhere to take girls whom you've been gaming.

• Don't drink or at least cut back. If you go out gaming without

alcohol, you will really notice an improvement in your

abilities. Alcohol is not a legitimate tool for handling your anticipatory

anxiety.

• Guys are just ugly girls: Yes, there are other guys at the venue,

but they aren't competition. They don't smile, they don't surround

themselves with people who are talking and laughing.

Instead, they hold a beer to their chest and try to "look cool."

These guys are not really competition.

• Befriend the social guys and practice gaming them. One of the

attraction switches in women is the leader-of-men switch.

When you lead the men, the women will follow.

• Be the observed: There are constantly little events going on in

the field: A flash goes off as a group of people pose for a picture.

A man teaches a woman a little dance move. A group of people

busts up laughing. A girl gasps at an impressive and flashy routine,

and people nearby look over to see what is going on. Are

you the observer when these things happen or the observed?

THE PROTECTION SHIELD

Women use many strategies to protect themselves from men with a

low perceived S-and-R value:

• a ring

• saying they have a boyfriend

• surrounding themselves with friends

• sitting in a place where it is hard to approach them

• being bitchy, using insults

• negative body language

• no eye contact

• lack of interest

• being bubbly and wanting to dance

• no sense of humor

• being defensive

Collectively, these strategies amount to a unique shield that each

woman uses to protect herself. The components of the shields that

women deploy can range from subtle and mild-mannered to inyour-

face and cruel. Many years ago I had a girl literally scream at

me to fuck off as I tried to open her set. If it ever happens to you,

move on, and don't take it personally. Sometimes women are just

having a very bad day.

The opening phase is the time that it takes you to get past the shield

and reach the acceptance point. You might try pushing through the

shield with persistence, even though the woman is treating you poorly

(albeit not screaming at you to fuck off, I hope), but this short-sighted

tactic diminishes your value.

Instead, what if you can trick her into lowering her shield? This

means making the woman believe you are not here to steal her eggs.

She must think that you aren't even considering seducing her.

You may enter her set with a pawn. A pawn is a girl whom you have

gamed previously for the express purpose of bringing her into your

next set, so that it will open more easily The use of pawns has been

known to lower protection shields.

Other ways to get through the shield include usage of uninterested

body language and false time constraints. These techniques are described

in detail in this chapter.

Notice that all of these tactics have one thing in common: They convey

lack of interest. In other words, women aren't so shielded against men

who have a willingness to walk. Women feel safe around those men.

Whatever happens, it's crucial that you not be affected by a woman's

shielding behavior, no matter how unacceptable such behavior may

be. If she is able to shake your internal sense of reality, your value will

drop in her eyes. Never get angry—just stay in a good mood and be

unaffected. It's no big deal.

As you demonstrate value and an utter lack of neediness, she will

start to open up to you. How will you know that you have disarmed

her shield?

• When she laughs at your jokes—even the bad ones

• When she turns to face you, makes eye contact, and is responsive

to you

• When she touches you—usually a soft grab of your arm, leg,

necklace, or hair

• When she asks you your name

Das oben ist ein Zitat aus dem von Mystery geschriebenem Ebook und das Zitat handelt von A1 dem Approachen.

Ich hoffe ihr könnt alle Englisch und wenn interesse steht schreibt mich einfach an wenn ihr noch weitere Teile des Buches haben wollt ;)

Love Josh TwentyTen

[NummerEins 0]

Hat Mystery mehrere Bücher / Ebooks verfasst? Wie ist denn der Titel dieses Meisterwerkes?

[grandmasterkermit 1812]

Copypaste keine Englisches Texte! Wer Mystery im Orginalen lesen will, kann sich das Buch kaufen oder runterladen.

Wenn du hier schon etwas reinstellst, dass du nicht selbst geschrieben hast, hättest du es wenigstens übersetzen können.